whirlwind into the future ... world expo 2025

Japan expo

departure
2025
09 Apr
return
2025
19 Apr
travel cost
from
€ 6916

Inscriptions are possible until 22 December 2024.

Hoe deelnemen?

The Japan trip will be a whirlwind journey of contemporary, modern and traditional architecture. Be taken in by the magisterial confluence of nature, art and architecture as it only exists in Japan. This Easter holiday, Planopli is organising a trip to the land of the rising sun. Apart from the World Expo in Osaka, we will visit a whole host of wondrous places.

Hera Van Sande will accompany the group, through her PhD research in Japanese Modernism, she has built up years of connection and in-depth knowledge about Japan. She will take us to the projects that move her and form anchor points in Japanese architecture.

We go for a powerful ‘primus’ journey at lightning speed! For those who don’t want to distance themselves too quickly, we also offer a ‘perpetuus’ variant of a few extra days in addition to the ‘primus’ trip. The long itinerary is limited to 15 seats.

register

Day 1 — Brussels

Nippon Air operates the direct flight from Brussels Zaventem to Tokyo. We depart in the evening and land at Narita International Airport in the afternoon the next day.

Day 2/3 — Tokyo

Upon arrival, we take the express train from the airport to the hotel. But for those who don’t want to rush to bed yet, we can take a trip to Ginza, where the city’s lights never seem to dim.

For the first full day, we take advantage of the excellent public transport to move between districts. Before venturing across the world’s busiest intersection, the Shibuya Crossing, we take a walk past some residential projects by young architects, work by Shingo Masuda + Katsuhisa Otsubo Architects(known for the installation at the Bruges 2024 triennial) and Akihisa Hirata. In the afternoon, we move to Omotesando Road, a major commercial axis where the creations of several Japanese and international architects are showcased. Kengo Kuma’s Nezu Museum and Kenzo Tange’s Yoyogi Gymnasium are the starting and ending points of this axis. We end in Harajuku’s Cat Street, where hip youngsters mingle among tourists and casual passers-by.

Day 4 — Tokyo & Karuizawa

Ueno Park originated as a temple garden and was turned into a public park by the Western-oriented Meiji government in the 19th century. It is where all the major cultural institutions are located, such as Tokyo National Museum and Kunio Maekawa’s Tokyo Bunka Kaikan . There, we visit the Hall of Horyuji Treasures by Yoshio Taniguchi and the Western Art Museum by Le Corbusier. But as befits any park, there are also quiet places, Hiroshi Nakamura ‘s Toshogu Shrine offering a moment of reflection in the bustle.

For lunch, we combine two uniquely Japanese experiences, travelling by shinkansen and enjoying culinary gems, especially the bento box. We disembark in Karuizawa, known as a holiday resort for Tokyo residents. A bus takes us to Ryue Nishizawa’s Hiroshi Senju Museum , where a magnificent synergy has been created between art, architecture and nature. We then take a stroll through Karuizawa where we see smaller projects by Kengo Kuma, Hiroshi Nakamura, Antonin Raymond and Kendrick Bangs Kellogg. Our bus will take us to Matsumoto in the Hida Mountains in the evening.

Day 5 — Matsumoto & Chino

After a well-earned night’s sleep, we start with a visit to the 16th-century Matsumoto Castle. Unlike the more famous white Himeji Castle, it features a wide moat around the keep and all the walls are black.

We do not leave the mountain area yet, but drive on to the Jinchokan Moriya Historical Museum in Chino. It houses some special buildings by Terunobu Fujimori, a Japanese architect who became famous for his quirky tea houses. Besides being an architect, he is also a historian who studies traditional Japanese architecture.

In the late afternoon, we take shinkansen for a 700km ride from Matsumoto east to Hiroshima.

Day 6 — Hiroshima & Fukuyama

The city of Hiroshima was completely obliterated from the world in 1945, a trauma that will mark Japan forever. Kenzo Tange designed the recently renovated Hiroshima Memorial Museum there and Hiroshi Sambuichi Hiroshima Hill, a vantage point over the city.

We travel along the coastline, stopping along the way in Fukyuma at the Shinshoji Zen temple with a pavilion by Terunobu Fujimori and Sandwich. With the setting sun at our backs, we arrive in the port city of Takamatsu. Our home base for exploring the art islands over the next few days.

Day 7/8 — Art Islands

We first take the ferry to the smallest art island, Inujima. Only a vest pocket in size, it forms the most intimate experience of all the islands. Hiroshi Sambuichi’ s Inujima Seirensho Museum, with artworks by Yukinori Yanagi, recounts the scars left by industrialisation and modernisation. Kazuyo Seijima’ s light-hearted interventions within the Inujima Art House Projects are a necessary counterpart.

A private ferry takes us from Inujima to Teshima. After picking up our electric bikes, we have lunch at Shima Kitchen of Atelier Ryo Abe. The most important project we see on Teshima is Ryue Nishizawa’s Teshima Art Museum . Again, the entire building is dedicated to the work of one artist, Rei Naito. It is a spiritual experience to end the day.

For anyone in need of a blow-out day, we will stay on Naoshima all day today and enjoy the various Art House Projects by Sou Fujimoto, SANAA, Ryue Nishizawa and Hiroshi Sambuichi, the Chichu Art Museum by Tadao Ando and the Time Corridors by Hiroshi Sugimoto at our own pace . The island has so much to offer that we provide you with an electric bike and a handy map. We’ll meet on the ferry in the late afternoon for a final transfer to Osaka.

Day 9 — World Expo

This is the third time the Expo has taken place in Osaka, after the famous 1970 edition with famous sculpture ‘tower of the sun’ by Taro Okamoto, it was also the host city in 1990.
The master plan of this edition, a circular wooden structure 700 metres in diameter is by Sou Fujimoto. The theme of the World Expo is ‘Common Ground: creating a new dawn together’ and there are 150 participating countries. Besides the land pavilions by Kengo Kuma, Foster + Partners, RAU and Mikan, among others, a group of Japanese designers have also been appointed to shape some overarching themes.

Day 10 — Kyoto

Who didn’t make it around on the first day of World Expo, we still have the option of adding a second day. But as we don’t want to disappoint lovers of historical architecture either, we head to Kyoto with the group.

Japan’s historic capital continues to capture the imagination. Its ancient temples, surrounded by their beautiful gardens and built in refined materials, are remarkably well preserved thanks to meticulous maintenance by the Japanese. We visit Ryoan-ji with its famous stone garden and Kinkaku-ji with its golden pavilion. The banks of the wide river in Arashiyama, are a perfect lunch spot before exploring Bamboo Grove, Tenryu-ji and Okochi Sanso Villa.

Of the travellers expected back in Belgium before the end of the Easter holidays, we must now say goodbye. They will travel back to Tokyo on the evening itself to be at the airport on time the next morning.

Day 11 ∞ Kyoto

For those whose trip may last a little longer, we take you to the imposing Kiyomizu-dera and intimate Tofuku-ji i nthe cosy Higashiyama district. Also located here is the Kyoto National Museum by Yoshio Taniguchi.

The afternoon is free to fill in, Kyoto has so much more to offer than architecture that we didn’t want to let this pass you by!

Day 12 ∞ Kobe

From Osaka we take a trip to Kobe, the city was completely destroyed during Great Hansin Earthquake in 1995. Fortunately, a few gems remained, such as Frank Lloyd Wright’ s Yamamura House and Arata Endo’s Koshien Hotel . Takenaka built the Carpentry Tools Museum in Kobe to exhibit the family’s joinery tradition.

But the Seto inland sea beckons and we venture across to the island of Awaji, where we visit the Honpukuji (water temple) and the Yumebutai project by Tadao Ando, both realised in the early 1990s.

Day 13 ∞ Odawara

We continue our way back to Tokyo, but stop in Odawara to spend the night. Not just to enjoy the last spring blossoms and the historic castle, but especially to experience Hiroshi Sugimoto’ s Enoura Observatory. Besides being a photographer, he is also an architect and created a place of reflection dedicated to art, nature and architecture at this unique location.
After noon, we follow the coastline of Sagami Bay to the Yokosuka Museum of Art by Pritzker Prize winner Riken Yamamoto. In the evening, we travel on to Tokyo.

Day 14 ∞ Tokyo

As it should be, we save the best for last, because on this last day of travel, Toyo Ito‘ s TAMA Art Library and KAIT workshop as well as Junya Ishigami ’s plaza are on the programme. These university buildings designed by two different generations of architects nicely sum up Japanese architects’ quest for spatiality.
One last night in Tokyo is planned, because the next morning we leave for Belgium with our heads full of inspiration.

programme

Tentative programme

Miyashita Park, Atelier Bow-Wow, 2011, Tokyo
Nezu Museum, Kengo Kuma, 2006, Tokyo
Yoyogi Gymnasium, Kenzo Tange, 1964, Tokyo
Museum of Western Art, Le Corbusier, 1954, Tokyo
Toshogu Shrine, Hiroshi Nakamura, 2022, Tokyo
Hall of Horyuji Treasures, Yoshio Taniguchi, 1998, Tokyo

Hiroshi Senju Museum, Ryue Nishizawa, 2011, Karuizawa
Sakuranoki Gallery, Hiroshi Nakamura, 2007, Karuizawa
Uchimura Church, Kendrick Kellogg, 1988, Karuizawa
Saint-Paul’s Catholic Church, Antonin Raymond, 1933, Karuizawa

Matsumoto Castle, 1594, Matsumoto
Jinchokan Moriya History Museum, Terunobu Fujimori, 1991, Chino
Flying Mud Boat Teahouse, Terunobu Fujimori, 2010, Chino
Takasugi-an, Terunobu Fujimori, 2004, Chino
Hikusugi-an, Terunobu Fujimori, Chino

Hiroshima Peace Memorial, Kenzo Tange, 1955, Hiroshima
Hiroshima Hill, Hiroshi Sambuichi, 2019, Hiroshima
Optical Glass House, Hiroshi Nakamura, 2012, Hiroshima

Shinshoji Zen Museum and Gardens, 1965, Fukuyama
Kohtei, Sandwich, 2016, Fukuyama
Shodo Pine Hall, Terunobu Fujimori, Fukuyama

Inujima Seirensho Art Museum, Hiroshi Sambuichi, 2008, Inujima
Inujima Art House Projects, Kazuyo Sejima, 2010, Inujima
Teshima Art Museum, Ryue Nishizawa, 2010, Inujima
Shima Kitchen, Ryo Abe, 2010, Inujima
Chichu Art Museum, Tadao Ando, 2004, Naoshima
Time Corridors, Hiroshi Sugimoto, 2022, Naoshima
Naoshima Art House Projects, 1998-to date, Naoshima
Naoshima Hall, Hiroshi Sambuichi, 2015, Naoshima

World Expo, Sou Fujimoto, 2025, Osaka

PERPETUUS
Ryoan-ji, 1944, Kyoto
Kinkaku-ji, 1397, Kyoto
Okochi Sanso Villa, 1940s, Kyoto
Tenryu-ji, 1339, Kyoto
Kiyomizu-dera, 1633, Kyoto
Tofuku-ji, 1236, Kyoto
Fushimi-Inari, 711-to date, Kyoto

Carpentry Tools Museum, Takenaka, 1984, Kobe
Yamamura House, Frank Lloyd Wright, 1924, Kobe
Koshien Hotel now Mukogawa Women’s University, Arata Endo, 1930, Kobe
Rokko House, Tadao Ando, 1998, Kobe

Zenbo Seinei, Shigeru Ban, 2022, Awaji
Yumebutai Complex, Tadao Ando, 2003, Awaji
Water Temple, Tadao Ando, 1989, Awaji

Enoura Observatory, Hiroshi Sugimoto, 2017, Odawara
Yokosuka Museum of Art, Riken Yamamoto, 2007, Yokosuka

KAIT Workshop, Junya Ishigami, 2008, Tokyo
KAIT Plaza, Junya Ishigami, 2021, Tokyo
TAMA Art Library, Toyo Ito, 2007, Tokyo

AWAJI
Zenbo Seinei, Shigeru Ban
Yumebutai, Tadao Ando
Water Temple, Tadao Ando

ODAWARA
Enoura Observatory, Hiroshi Sugimoto
Yokosuka Museum of Art, Riken Yamamoto

TOKYO
KAIT workshop and plaza, Junya Ishigami
TAMA Art Library, Toyo Ito

profiles

practical

The planopli guides will assist you in Dutch, guided visits by local guides are in English.

No visa necessary for stays of up to 90 days with the purpose of tourism.

Inoculations: not required. However, some vaccinations are recommended, see wanda.be

Standard information for package travel contracts

  • The combination of travel services offered to you is a package holiday within the meaning of Directive (EU) 2015/2302, transposed by the law of 21 November 2017 on the sale of package holidays, linked travel arrangements and travel services.
  • Consequently, you can claim all EU rights applicable to package holidays. planopli is fully responsible for the proper execution of the entire package holiday.
  • planopli also has the legally required protection to reimburse you and, if transport is included in the package holiday, repatriate you in case it becomes insolvent.

payment info

primus 11 days, 9 overnight stays
perpetuus ∞ 15 days, 13 overnight stays

Enjoy an Early Bird discount until November 30th!
The cost for the primus trip is 6.916 EUR for registrants who deposit their advance before 30/11/2024. After that date, the standard price of 7.280 EUR applies.

Participants of the perpetuus trip pay 1.130 EUR for the program of 4 travel days extra. The number of places for the perpetuus journey is limited to 15 people.

The charge for a single room for the primus journey is 1.130 EUR, for those opting for the perpetuus trip, a cost of 850 EUR will added.

included

  • direct intercontinental flights with Nippon Air, economy class – 9 Apr 19:30 Zaventem > Tokyo 16:10 / primus 19 Apr 10:15 Tokyo > Zaventem 17:35 (perpetuus 23 Apr 10:15 Tokyo > Zaventem 17:35)
  • 4 long-distance train rides with shinkansen
  • 3 (6) days of comfortable motor coach
  • 9 (13) overnight stays with breakfast
  • 3 (4) lunches
  • (exclusive) entrances to buildings
  • entrance tickets to museums included in the programme
  • use of audiophones
  • group travel assistance insurance
  • content provided by Japan expert Hera Van Sande
  • expertise of an experienced tour guide
  • back office
  • log guide: travel guide compiled, designed and professionally printed by planopli with multifunctional cover, city maps, sketch chalk, postcard, pencil,…

  • not included*
  • optional cancellation insurance
  • lunches (excluding those mentioned above)
  • evening meals

payment

  • registration is final after payment of the advance of €2,300 to be paid into account BE25 7350 4701 5682
  • With this transfer, you declare that you agree to the general and special conditions of sale of planopli and declare that planopli is not liable for accidents, theft or lost objects that may occur.
    based on Article VI.45, 11° of the Economic Code, there is no reflection period.
  • balance 60 days before departure